![]() Other references to the number three includes the work’s key signature with its three flats, and the number of measures in each section, each a multiple of three. References to the number three, understood to represent the Holy Trinity, can be found throughout the works.īach’s Fugue in E-flat Major: St Anne’s was composed in three sections, each with its own distinct style, tempo, and fugue subjects. Clavier-übung III, also known as the "German Organ Mass", was intended to portray ideas from the Christian faith as well as the Lutheran denomination. Anne’s Fugue due to its similarity to the melody of William Croft’s hymn tune from 1708, O God Our Help in Ages Past. The fugue that closes the collection has earned the nickname of St. The collection opens with a praeludium in E-flat major followed by twenty-one chorale preludes, four duets and a closing fugue in E-flat major. Aside from its opening and closing works the vast majority of the third collection, Clavier-übung III, composed in 1739 for organ, is less often heard, especially in its entirety. ![]() The first two collections, composed in 17, along with the final set from 1742, contain some of the composer’s most well-known harpsichord works including the Six Partitas, "Italian" Concerto and the "Goldberg" Variations. Benjamin Jones)ĭifficulty: V (see Ratings for explanation)ĭuring the early 18th century, famed German composer Johann Sebastian Bach composed four collections of keyboard music designed primarily as practice pieces for pianists under the title Clavier-übung. ![]()
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